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            caught up  in the Civil War... rootsy, blues-flavored tales of 
            the Mississippi Delta delivered in a conversational language of the 
            heart. A master tune-smith, Bob is rounding out his 4th decade as a 
            songwriting troubadour. About his songs he says, "I don't know if 
            these stories are true, but they happened to me". ..  
            Bob 
            Cheevers has earned a place in the landscape now called Americana 
            Music having charted Top 20 in that genre with his last two CDs. Bob 
            grew up in Memphis and got a soul full of music not only from the 
            icons of his youth such as Elvis, Jerry Lee and Johnny Cash but also 
            from his Mother, who was a radio star during the Great Depression 
            performing with the Big Bands of that era. A hundred year old photo 
            of his Grandmother graces the cover of his Gettysburg To Graceland 
            CD. From an early age, Bob's creative feet were firmly planted in 
            Mississippi Delta mud, and his songs began to feature characters 
            whose lives reflected the life style along the rivers of the South 
            over the past hundred years. 
 After starting his first band during college, Bob and his musical 
            direction migrated west 
            following a dream 
            that took him from the pop field in Hollywood to country and roots 
            music in Nashville with stops in-between to gather the tools and 
            trophies of his career. Among his statues and certificates of 
            accomplishment is an Emmy for the song "Big City Gambler" which was 
            voted Best Musical Composition of 1986 by NARAS. Several decades as 
            a writer have seen over a thousand songs born.
 
 Using his organizational skills in the late 1980's,The Bob Cheevers 
            Sacramento Songwriter Songwriter Showcase ran for two years 
            featuring high profile regional and national hit writers and served 
            as Bob's springboard to Nashville. After moving to Nashville and in 
            addition to pursuing his own musical career, Bob organized and 
            produced a yearly benefit series of shows at The Bluebird Cafe for 
            Nashville's Alive Hospice Oganization featuring Nashville's most 
            famous writers, artists and performers. Now in its ninth year, its 
            still The Bluebird's most popular series. As a producer, publisher, 
            singer, songwriter and seasoned performer, Bob has found his own 
            voice spinning rootsy, blues-flavored tales of the Delta in a 
            conversational language of the heart.
 
              
              
                
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                  A review 
                  written for the Folk & Acoustic Music Exchange 
                  by Mark S. Tucker
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            You 
            may not have heard the name before but Bob Cheevers isn't exactly an 
            unknown, having won eight Emmys for his music videos. The man's 
            voice has a strong Willie Nelson twang to it but his work is much 
            folkier, with Celtic backgrounds, a style he's dubbed 
            "Delta-Celtic", an ancient air that's traveled the Mississippi mud 
            while retaining its shamrock. 
            Fiona's World is based on a 
            woman who sketched his face in a Southampton bar (UK) and became 
            friends with the troubadour through her artwork, also appearing in a 
            singing cameo in Pictures of Strangers (good voice!).
 Thus, we have an emotionally 
            interconnected storyline punctuated by three instrumental interludes 
            as abstract chaptering devices. Cheevers plays acoustic guitar, a 
            little percussion, and sings but has a partner who wields a very 
            interesting electric axe, understated and aeolian but haunting, as 
            are the violin and...well, either I'm hearing things or there's also 
            a cello (bowed bass perhaps?), uncredited, beside non-pianistic 
            keyboards, equally unmentioned. All, however, achieve a moody 
            synthesis that's deeply affecting. The side players, in fact, share 
            an intimate kindredness for the lamentive atmospheres that pervade
            Fiona's World. Even the happy songs—New 
            Forest Rain for instance—have an achy backscatter to them, 
            trotting out country elements strongly.
 
 Don't disinclude the folk element here, which is 
            extremely strong, as the opening What I've Done for Love 
            illustrates, and sets Cheevers squarely in with the greats, as 
            catchy and evocative as what Lightfoot, Chapin, Neill, or any of a 
            bevy of writers have given us. With a release as appealing as this 
            one, we can only imagine what the next will be like.
 
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